![]() ![]() ![]() He was, in fact, the tallest player in the Cantina band.Īfter asking cinematographer Dean Cundey to introduce him to director John Carpenter, Bottin was hired by Carpenter to create the special makeup effects for his 1980 film The Fog. Notably, Bottin's effect in The Howling appeared five months before his mentor Baker's similar scene in An American Werewolf in London.īottin also worked on the Star Wars Cantina scene creatures. ![]() Finally working on his own, his first big break was The Howling, where he was called to create an on-screen transformation from man to werewolf. At age 14, he submitted a series of illustrations to well-known special make-up effects artist Rick Baker, who promptly hired him. JSTOR ( December 2014) ( Learn how and when to remove this template message)įrom an early age Bottin enjoyed a steady stream of old horror films, as well as magazines like Famous Monsters of Filmland.Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. This section of a biography of a living person needs additional citations for verification. ![]()
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